Suprisingly the backbone here isn't the synth itself but the effect unit coupled with the synthesizer, saying more precisely - analog phaser of which our Fazortan seems to be a fine equivalent. Have you ever wondered where does that unique magical breeze so audible in most of Jean Michael Jarre's tunes come from. Total control of the Phase shift parameter provides you with adjustability and allows to obtain the desired contour with high precision. No need to say we didnt cut much corners on quality and that robust, yearned by all - analog feel of the sound. This opens up a whole new world of sound creation.įazortan the controlable space phaser has become another effect to offer as being a part of our 'SilverLine Collection'. This extra functionality allows the user to adjust the sounds further than on the original unit. In addition, all Drumazon instruments have enhanced controls. All the nuances and detail of the original are captured perfectly. All the instruments are synthesized in exactly the same way as the original. Being multiband, the sonic mangling capabilities are endless!ĭrumazon synthesis emulates all the sounds of the original 9O9. It is an enhanced version of the distortion unit from our synth Phoscyon. Devastor is a simple but remarkable Multiband Distortion Unit.
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It also acts as the perfect bit crusher with filter.ĭ16 proudly presents our first Fx Plugin from our "SilverLine Collection" - Devastor.
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This sound colouration was due to the encoding techniques, lower sample rates, lower bit rate and conversion circuits which these early samplers used.ĭecimort recreates this colouration and adds the vintage sampler magic to any loop, bass line or sound played through it. They added a "grit" and "colour" to the samples and loops they played back which made them sound "Fat" and sit well in a mix.
![phoscyon randomize phoscyon randomize](https://4dlvxj4clmqy2ra51v21x4ta-wpengine.netdna-ssl.com/wp-content/uploads/2017/03/drumazon-600x400.jpg)
D16 Group VSTi Pack UNION (PC & MAC) | 115 MB & 149 MBĮlectronic music producers (especially in Hip-Hop) have always been aware that classic samplers (such as early Akai and EMU units) had a character and sound of their own.